Rebecca

Rebecca

Rebecca by Daphne Du Maurier

Genre: Gothic, Classics, Romance

Published: January 30th 2003 by Virago Press Ltd

The Plot

With these words, the reader is ushered into an isolated gray stone mansion on the windswept Cornish coast, as the second Mrs. Maxim de Winter recalls the chilling events that transpired as she began her new life as the young bride of a husband she barely knew. For in every corner of every room were phantoms of a time dead but not forgotten a past devotedly preserved by the sinister housekeeper, Mrs. Danvers: a suite immaculate and untouched, clothing laid out and ready to be worn, but not by any of the great house’s current occupants. With an eerie presentiment of evil tightening her heart, the second Mrs. de Winter walked in the shadow of her mysterious predecessor, determined to uncover the darkest secrets and shattering truths about Maxim’s first wife the late and hauntingly beautiful Rebecca.

My Review

Rebecca is a novel that haunts you long after you’ve set it aside. It wriggles its way into your brain and has you recounting every event to try and define the very moment that such extraordinary events took a turning because it blindsided me. I found myself unable to pinpoint within the novel a point of elusion to such events and it was utterly fantastic. To be so shocked by the novel really shows Maurier to have a craft. We recount the naive footsteps of the new Mrs de Winters as she recalls her youth and innocence at becoming Maxim’s second husband and the events that conspire to amount against her and test her very strength.

The way in which Maurier delivers the novel means we very much see the world through Mrs de Winters eyes and her utter ignorance at the world is enlightening because we learn with her as she begins to stand on her own feet and discover the world. She’s so childlike and desperate to learn and please and it’s rather endearing at first because there is this drive in her to succeed and she just continues to stumble. She appears to be rather a weak and sappy character and whilst some protagonists fail to make any development, Maurier completely diverts her character into somebody who has been forced rather brutally to grow up in only a few moments. From the feeling of drowning and not being able to survive she is once again thrown into a colossally damned situation and manages to recover herself that makes her character truly courageous and strong by the end of things.

“I suppose sooner or later in the life of everyone comes a moment of trial. We all of us have our particular devil who rides us and torments us, and we must give battle in the end.”

Rebecca is definitely a novel that touches on appearances to be deceiving because not only does it appear to fit into so many genres from mystery, to romance to the Gothic, it is most certainly a hybrid of genres, the plot and the characters change beyond belief throughout the novel and Maurier teases us with little glimpses of a truth and a dark side, to slowly unveil the truth of Rebecca. After all, the novel at first sight appears to be about a woman Rebecca who is indeed present, but only in the ethereal sense because she haunts the characters lives and manipulates their emotions even whilst dead. This makes the novel so distinctly Gothic in the effect that ricochets across all their lives from a dead woman. It’s so unnerving to think the presence of a dead woman could unsettle a house so much and this makes Maurier’s Rebecca so infinitely gripping that you are kept on tenterhooks as you turn each page waiting for the new bombshell to fall and to twist the story again.

There are some critics who dismiss Maurier’s Rebecca as merely a “Gothic Romance” but honestly the romance is focused on very little as a romance. There is a focus on the relationship and the dynamic of this relationship and to how events impact upon their lives. The tensions between the Winters and the strain that Rebecca the dead women, haunting the house who continues to drive the couple further and further apart without even trying and it makes for an engaging and thrilling read. Rebecca touches every aspect of their lives and I found it so utterly intriguing to watch the romance that seemed so perfect if not rather awkward at the beginning begin to crumble because of doubts and misgivings that unravel by the end of the plot and change a whole spin on my previous perspective.

“Either you go to America with Mrs. Van Hopper or you come home to Manderley with me.”
“Do you mean you want a secretary or something?”
“No, I’m asking you to marry me, you little fool.”

Maxim is a man that baffled me from the very moment the novel began until the very end. I had a very turbulent relationship with his character because his mood swings were rather violent. He could appear loveable and doting and the next he was a brooding angry mess. His character was so wrapped up and secretive that I could never truly fathom him, but I think this was partly the nature of the narrative that makes Rebecca so utterly engaging because we see the world through Mrs de Winter’s eyes and she never truly understood Maxim. There always appeared to be a rift between them and whilst I never disliked his character and he appeared strong and dashing and everything a love interest should be, I found I could never truly like his character either. It is not that I felt indifferent to him, I just can’t place whether I could place him directly in one camp of emotions because he was so diverse and changing. He never settled because he was in this constant state of agitation and this reflects into Maurier’s protagonist, Mrs de Winters and that keeps the pace of the novel forever pushing forward when it seems as though we are about to drag.

The most fascinating element of the tale is Rebecca and how she was reflected her in her hut, the decor of Manderley, the ball every element of Manderley could be seen by Mrs de Winters as reflecting Rebecca. She was constantly present and this is what made Maurier’s recount of a dead woman so effective.

Then there was the cold, hard and rather sad Mrs Danvers. Its safe to say I abhorred the woman, but equally I felt deep sympathy for her sad attachment to Rebecca who seemed to be her very reason for life. She made a fantastic villain and it is very often that we see somebody so dark and seedy becoming a villain or terrifying and monstrous like Frankenstein’s monster in the Gothic. However Mrs Danvers appears to be a women driven mindless by devotion to Rebecca which drives every action of hers and leaves pour Mrs de Winters terrified. Ultimately though, I found that Mrs Danvers is a woman I could not like under any circumstance because however she appeared to be motivated by love, her actions filled the book with hate and rage that made her an unsightly character.

I simply adored the setting of Manderley it was so encompassing and suffocating in its stature and reputation. The idea of the old house that was so poignant and Gothic. I could so clearly image this dark, almost brooding house in my imagination with the vivid red flowers that cloaked the side of the house. It only adds to Maurier imbedding symbolism everywhere in Rebecca and the little connections and misgivings and feelings that you got when reading it, all added up to making it a wonderful experience.

Classics have not been a genre I’ve ventured far into, but with Rebecca I found a new door and a new avenue in which I genuinely found a magical experience in that wasn’t clustered with archaic language that took hours to unravel, but the complexity of the plot made up for the simplicity of the writing style (in comparison to something as Austen) and that made it all the more enlightening that I found nothing to be the same in Rebecca. For me, Rebecca can never just be a “Gothic Romance” because it is so much more and undeniably one of those tales that shall sit with you long after reading. It is a novel I am desperate to get on my shelves and whilst the ending isn’t entirely fulfilling in its rather tragic way that leaves one pondering what can really come, particularly from whence we came in a place not known, it is one that I would love to read again and a novel that I recommend without a doubt to each and every one of you!

We’re not meant for happiness, you and I.”

4 books

Portrait in Death

Portrait in Death

Title: Portrait in Death

Author: J.D. Robb

Series: In Death #16

Genre: Crime, Romance, Futuristic

Publication: February 25th 2003 by Berkley

Plot:

After a tip from a reporter, Eve Dallas finds the body of a young woman in a Delancey street dumpster. Just hours before, the news station had mysteriously received a portfolio of professional portraits of the woman. The photos seemed to be nothing out of the ordinary for any pretty young woman starting a modeling career. Except that she wasn’t a model. And that these photos were taken after she had been murdered. Now Dallas is on the trail of a killer who’s a perfectionist and an artist. He carefully observes and records his victim’s every move. And he has a mission: to own every beautiful young woman’s innocence, to capture her youth and vitality—in one fateful shot…

Review:

This is one of my Library Loot books for the week and despite having a few other library books that you might have seen on my Stacking the Shelves for the week, I couldn’t wait to get around to this one. So having said that, I just had to pick it up because the In Death series by J.D. Robb is certainly one of my all-time favourites when she has a little bit of everything.

I feel like in every book we get a progression from the previous in the characters and particular Eve and Roarke’s relationship, This instalment was no different and I certainly think it makes up for my disappointment with the last one. Due to my previous disappointment, I had put off reading another of Robb’s In Death series for a few weeks, but I’m happy to have picked this one up from my library because it has to be one of my favourites of the series.

For those of you that are a little adverse to all the brutality and evil that sometimes festers in Robb’s In Death series with the following of a homicide cop, I felt we took a step back from the horrific scenes we sometimes see with rape and brutality and this one took a more spiritual and emotional lead with the murders. Still we did witness death, I felt it was less brutal and I liked the step back from that because I felt Robb had been getting more and more gory and only following a theme of rape in the past few additions and this one refreshed the series in my opinion.

We delved deep into Roarke’s history in this one and for once we saw him thrown off balance from his ‘perfect’ life that even when Eve is in trouble still sees him being ‘perfect’ and at times despite him being a fabulous swoon-worthy character, it can be annoying. We certainly witnesses a different, vulnerable Roarke and an Eve who was forced to take control of her relationship and pry the details from Roarke. I was eagerly flipping through the pages to find more of their relationship status and how they would solve the problems. It added another touch of emotionality to the story and I really enjoyed it.

The secondary characters were starting to further their own storylines in this addition and I felt with the introduction of Troy Trueheart again that he actually got a convincing amount of attention and not neglected like I felt he had previously.

If you’ve never picked up the In Death series before, I’d tell you that you’re certainly missing out! There is a little bit of everything: romance, crime, sex, emotional connections, great characters, suspense, murder. We have the grit, the secondary characters and amazing protagonists with Eve and Roarke. I really advise you all go out and pick up a copy of Naked in Death because it really changed my mind on Nora Roberts as a writer. Don’t be afraid to pick up Naked in Death if you’re like me and not a fan of Roberts (sounds strange) because J.D. Robb is like a totally different person!

For those of you that read the In Death series, this one certainly focuses more on Roarke and Eve kind of finds to the background, but after much trouble from her past and personality, I think it’s a welcomed addition. Some may say Robb’s books follow a set scheme of events, but this certainly didn’t that for me, and I think it’s hard to apply that when the situation is always changing across the series. For me, each book Robb adds to the In Death series brings a new refreshing change.

The next book in the series is already on order from the library for me, so don’t sit about and go pick up the In Death books now because I’m positive you won’t regret it!

My Rating:

4 books

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